The initial reception to The Love Song of J. Alfred Prufrock, by T. Eliot, can be summed up in a contemporary review published in The Times Literary Supplement, on the 21st of June
Composition and publication history[ edit ] T. Alfred Prufrock" between February and July or August Pound served as the overseas editor of Poetry: Alfred Prufrock", extolling that Eliot and his work embodied a new and unique phenomenon among contemporary writers.
The rest of the promising young have done one or the other, but never both.
Alfred Prufrock" was the first in the volume. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry. Traces of Kipling appear in my own mature verse where no diligent scholarly sleuth has yet observed them, but which I am myself prepared to disclose.
I once wrote a poem called "The Love Song of J. Many scholars and indeed Eliot himself have pointed towards the autobiographical elements in the character of Prufrock, and Eliot at the time of writing the poem was in the habit of rendering his name as "T.
Stearns Eliot," very similar in form to that of J. LouisMissouriwhere the Prufrock-Litton Company, a large furniture store, occupied one city block downtown at — North Fourth Street. Then dived he back into that fire which refines them.
The quotation that Eliot did choose comes from Dante also.
If I but thought that my response were made to one perhaps returning to the world, this tongue of flame would cease to flicker. But since, up from these depths, no one has yet returned alive, if what I hear is true, I answer without fear of being shamed.
One is the storyteller; the other the listener who later reveals the story to the world. He posits, alternatively, that the role of Guido in the analogy is indeed filled by Prufrock, but that the role of Dante is filled by you, the reader, as in "Let us go then, you and I," 1.
On the surface, "The Love Song of J. Alfred Prufrock" relays the thoughts of a sexually frustrated middle-aged man who wants to say something but is afraid to do so, and ultimately does not. The intended audience is not evident.
In the first half of the poem, Prufrock uses various outdoor images the sky, streets, cheap restaurants and hotels, fogand talks about how there will be time for various things before "the taking of a toast and tea", and "time to turn back and descend the stair.
Others, however, believe that Prufrock is trying to express some deeper philosophical insight or disillusionment with society, but fears rejection, pointing to statements that express a disillusionment with society, such as "I have measured out my life with coffee spoons" line He seemed to represent thwarted desires and modern disillusionment.
Alfred Prufrock" makes numerous allusions to other works, which are often symbolic themselves. Other phrases such as, "there will be time" and "there is time" are reminiscent of the opening line of that poem: Prufrock and Other Observations London: Alfred Prufrock" in Monroe, Harriet editorPoetry: A Magazine of Verse June— The Waste Land and Other Poems.Dec 07, · T.S.
Eliot Reads: The Love Song of J. Alfred Prufrock Song The Love of J. Alfred Prufrock; "The Love Song of J. Alfred Prufrock" Lecture - Duration. After a notoriously unhappy first marriage, Eliot separated from his first wife in , and remarried Valerie Fletcher in T.
S. Eliot received the Nobel Prize . T.S.
Elliot’s “The Love Song of J. Alfred Prufrock,” is a melancholy poem of one man’s frustrated search to find the meaning of his existence.
The speaker’s strong use of imagery contributes to the poems theme of communion and loneliness. The Poem begins with an invitation from Prufrock. Learn term:ts eliot = love song of j alfred prufrock with free interactive flashcards.
Choose from different sets of term:ts eliot = love song of j alfred prufrock flashcards on Quizlet. Eliot wrote "The Love Song of J. Alfred Prufrock" between February and July or August Shortly after arriving in England to attend Merton College, Oxford, Eliot was introduced to American expatriate poet Ezra Pound, who instantly deemed Eliot "worth watching" and .
When T. S. Eliot died, wrote Robert Giroux, "the world became a lesser place." Certainly the most imposing poet of his time, Eliot was revered by Igor Stravinsky "not only as a great sorcerer of words but as the very key keeper of the language.".